1830-1903
French
Camille Pissarro Locations
Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the father of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thadee Natanson wrote in 1948: Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend. The significance of Pissarro work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; at the same time he has remained a purely classical artist in his love for exalted generalizations, his passion for nature and his respect for worthwhile traditions.
Related Paintings of Camille Pissaro :. | Resting in the Woods at Pontoise | Orchard in Bloom at Louveciennes | Portrait of Madame Pissarro Sewing near a Window | Harfrost (mk06) | Woman in a Field;Spring Sunlight in the Meadow at Eragny,summer (san07) | Related Artists:
Soma Orlai Petrich (October 22, 1822, Mezőbereny - June 5, 1880, Budapest) was a Hungarian painter. Petrich was born to a Serbian father and Hungarian mother.
He originally wanted to become a writer. He was a pupil of Jakab Marastoni in 1846 and attended Ferdinand Georg Waldmeller's school in Vienna from 1847. He often painted historical themese and in his lithographs he portrayed experiences during the war of independence. He studied from Kaulbach in Munich from 1850. He painted "The Corpse of Louis II" in 1851, a decade before Bertalan Szekely's painting. He was also a popular portraitist.
Karl Konrad Simonsson(1843 -1901 ) - Painter
Barthel Bruyn1493-1555 German
German Renaissance painter, active in Cologne from 1515. Known especially for his portraits, which combine Northern realism with Italian-inspired monumentality and breadth, Bruyn also painted religious works such as the high altar at Essen Cathedral (1522). A portrait of a man and three religious works are in the Philadelphia Museum; many of his works are in Germany.
